Working experiments.
Technical explorations.

• Configure a watch
• How much time could a better handoff give back?
• Is your idea ready for an interactive tool?
• Compare two approaches
• Explore a system at your own pace

Each tool is an ordinary, accessible form whose result also reads as text; the 3D instrument only shows it, so keyboard and screen-reader visitors get the same answer.

Real-time 3D on the web is a craft with limits. The instruments on this page draw with WebGPU where a device offers it and fall back to WebGL where it does not; where neither is available, a still takes the instrument’s place and the tool keeps working as a plain form. Nothing on the page depends on the picture.

Every instrument is built once and animated by changing only what moves, so phones stay cool and batteries last. Motion respects the visitor’s reduced-motion setting, sound is off until they turn it on, and every control is a real button, slider or field that works by keyboard and reads correctly to a screen reader.

Kinetivy’s own site doubles as its demonstration of interactive design, because the easiest way to show what this studio can build is to make the website itself the proof.

• Zoom into the galaxy. From the homepage’s finale, or the launcher on any page: turn and zoom the sky, tap a ringed star to name it, and build a collection kept in your browser.
• Visit a star system. Keep zooming into a named star to fly into its generated system, orbit its worlds and return with Escape.

The galaxy, instruments and observatory render in WebGPU with a WebGL fallback; where neither is available, composed stills take their place at the same size, so no page depends on the 3D.

Every star name, world and instrument is generated or invented for the demonstration, and the tools are planning aids with their assumptions shown, not professional advice.

• Not every visit can carry the live world. The first guess from what a browser reports put every iPhone on the stills in the first release of the tiers, corrected the same day; the choice between the live world, a lighter version and the stills is now checked against what actually happens while the model downloads and the scene runs.
• Every sound tied to the scroll read as a sound tied to the progress line, so the journey now has none: sound is off until the visitor turns it on, and only a deliberate press makes a short sound.

• 01 / Find the signal. Your customers are asking.
• 02 / One clear way in. One way in. Every market.
• 03 / The handoff. Handed to the right team.
• 04 / Ready to run. A clear next step. An accountable owner.

A sample interface registers interest in a market, Europe or Asia-Pacific. The handoff shows the request received, the market allocation and a regional team review, with a sold-out exception that offers the waitlist; the outcome carries the chosen market and its context through all four panels.

Local demonstration only. No request is saved and no email is sent. The scenario is fictional and not a client project.

A clear interface. A visible handoff. An exception with a next step.

• Form & Field. How expressive typography, a restrained product scene and a changeable palette can give a business a distinct presence.
• Orbit. Clear state and immediate feedback in a focused task.
• A considered handoff. The decisions around an automation.

Try a different headline or layout; add a step to a sample launch checklist and mark it complete; choose a direct route or add a human approval, then approve the sample or send it back.

These concepts use fictional brands and sample data. They do not represent client endorsements or claimed business results. Orbit is a local demonstration, with no account or persistent project storage; in the handoff no business tools are connected and no messages are sent.

A small design decision changes the first impression, and an automation should keep people at the right decisions.